Batgirl #5, #6

Cover by Adam Hughes

Batgirl #5 (January 11, 2012) Batgirl #6 (February 8, 2012)

Writer: Gail Simone

Penciller: Ardian Syaf

Inker: Vicente Cifuentes

Colorist: Ulises Arreola

Letterer: Dave Sharpe

I’ve wanted to write about these issues for a very long time now but between work, graduate papers, and exams, I never felt like I had the time to fully sit down and express myself clearly.

Now that I do have some free time, I’m not quite sure what I wanted to say.

I know these issues are months old already but they’ve stuck with me from my first readings, which, what with my rapid consumption of comic books, is quite a feat. I’ve been rather lukewarm on the recent Batgirl run (most likely from still mourning the loss of Oracle) but I’ve noticed that the storylines have steadily improved with each issue.

Avengers Academy #27

Cover by David Lafuente, Christina Strain

Avengers Academy #27 (March 7, 2012)

Writer: Christos Gage

Penciller: Karl Moline, Jim Fern

Colorist: Chris Sotomayor

Letterer: Joe Caramagna

It’s been a very long time since I last reviewed any Avengers Academy so I admittedly have a lot of catching up to do. I am especially a little in over my head as this issue features the Runaways in a crossover between the two Marvel teen teams. I have never read any Runaways issues and only know the fundamentals of the characters and their backstories.

Nonetheless, I was able to pick up the basic tension between the teams and the central plot fairly quickly. Gage isn’t too bad at exposition via characters’ dialogue though I occasionally found the teens’ voices a little false.

The New Deadwardians #1

Cover by I.N.J. Culbard

The New Deadwardians #1 (March 28, 2012)

Writer: Dan Abnett

Penciller: I.N.J. Culbard

Colorist: Patricia Mulvihill, I.N.J. Culbard

Letterer: Travis Lanham

If Vertigo Comics is adept at anything, it’s harvesting clever retreads of old ideas.

When I first glanced at the cover of The New Deadwardians #1, I was originally indifferent: another zombie story. Whatever.

Then I thought that a mash-up between zombies and the world of Downton Abbey could be quite a bit of fun and decided to read it (as an aside, I would love to do some more exploring on the popularity of Downton Abbey and why it so appeals to a pop culture/society that is one-hundred years older. What is it about that show that is so addicting across generations, as evidenced by the fact that during the second season, my mother, sister, two best friends and I gathered in the family room with popcorn to watch the latest episodes and spent countless hours discussing the various ins and outs of the upstairs and the downstairs? But that’s another blog entry…).